By Antonino D'Ambrosio
A Heartbeat and a Guitar tells of the collaboration of 2 precise but hooked up musicians--iconoclast Johnny funds and pioneering folks artist Peter l. a. Farge-- Bitter Tears: Ballads of the yank Indian, the album that encouraged the likes of Bruce Springsteen and Bob Dylan. during this intimate portrayal of the 2 musicians, D'Ambrosio interviewed surviving participants of Cash's band, his manufacturers, and admirers Pete Seeger and Kris Kristofferson. He renders a dramatic photo of either an period of radical protest and the making of 1 of the main arguable and enduring works of political pop paintings of the Nineteen Sixties.
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Additional info for A Heartbeat and a Guitar: Johnny Cash and the Making of Bitter Tears
Clinton, Road to Freedom, 22. 35. Larson, Bound for the Promised Land, 42–43. 36. James A. McGowan, “The Psychic Life of Harriet Tubman,” Visions Magazine (March 1995): 1–3. McGowan claims that the onset of Tubman’s psychic life parallels that of other well-known, contemporary psychics like Peter Hurkos, the Dutch psychometrist. Parapsychological records are replete with similar cases in which individuals began experiencing and manifesting psychic awareness after head injuries. Some cases occur after being struck by lightning, others after undergoing prolonged periods of intense fever.
Bradford, Scenes in the Life of Tubman, 20. 33. Bradford, Scenes in the Life of Tubman, 20. LIBERTY O R DEATH, 1841–1850 33 34. James Oliver Horton and Lois E. Horton, In Hope of Liberty: Culture, Community and Protest Among Northern Free Blacks, 1700–1860 (New York: Oxford University Press, 1997), 141; and Richard Allen, The Life Experience and Gospel Labor of the Right Reverend Richard Allen (1887; reprint, New York: Abingdon Press, 1960). 35. Humez, Harriet Tubman, 18; and Bordewich, Bound for Canaan, 350.
40. See “The Fugitive Slave Bill of 1850,” text quoted in William Still, The Underground Railroad (1871, reprinted by Johnson Publishing Company, Chicago, 1970), 355–360. 41. Horton, Slavery and Making of America, 148–149. 42. Larson, Bound for the Promised Land, 89–90; and Bordewich, Bound for Canaan, 344–346. 43. Larson, Bound for the Promised Land, 90. Chapter 3 MOSES OF HER PEOPLE, 1851–1853 The Fugitive Slave Law emboldened Harriet Tubman to fight her own battle against the institution of slavery.
A Heartbeat and a Guitar: Johnny Cash and the Making of Bitter Tears by Antonino D'Ambrosio